
Wollongong poet, publisher and Australian poetry legend Ron Pretty has published a collection of his work over 50 years of writing.
Poetry shifts so quickly it can be hard to keep up. Sometimes I imagine it as a wave, its front rising up full of new exciting voices; voices that have been ignored or silenced; sassy angry voices talking back to the blandness of popular culture and late stage capitalism; urgent voices insisting we act on environmental destruction now.
Consider this year’s winner of the Australian Prime Minister’s Literary Award for Poetry, Andy Jackson’s Human Looking. To quote the judges:
“Jackson’s book is an extraordinary poetic exploration of his own disability – Marfan’s syndrome, which is disfiguring and distorts the shape of his face and body. His poems are blistering in their power, wonderfully subtle, objective and with no self-pity. “
Similarly, this year I listened to readings from a new anthology Admissions from Red Room Poetry, poems written from the lived experience of mental illness. My warmest memory of that night is as one of the poets came to the critical point in the poem he was struck dumb, overcome with emotion. And we, a room of 80 fans and friends, held our breath as the poet found his composure and courage to keep reading. Powerful words indeed.
So what to make of a collection of someone who’s been writing poetry for over 50 years, has published eight full collections and six chapbooks of poetry? To continue the surf metaphor, this poetry is from the green water out beyond the breakers, it’s deep and cool and collected and exhilarating in its own way. Yes, there are experiments in form, in voice and subject but it also points to the evolution of a writer over time.
Recently, I voiced Ron’s words for a program on Radio 3CR in which two of his poetry colleagues — Kevin Brophy and Alex Skovron — read from 101 poems. It’s a terrific program put together by Tina Ginannoukos from the Spoken Word team at 3CR and gives you an introduction to Ron Pretty’s work (a longer extended version is also available).
After listening to this, you’re going to want to immediately order a copy from Ron’s publisher Pitt Street Poetry.
And for music this afternoon (where it’s raining on newly mown summer grass) here’s American composer Caroline Shaw with the Attacca quartet playing Orange (Youtube)