The lagoon is full of machines: small ones in the reeds
tocks and bocks, little clocks; a larger one maybe a fox (!)
on the rocks by the reeds. The reeds are reading
wind-borne frequencies – a rippling gamelan
repeating lines and phrases to the life within:
warbler, egret leaning spring-blade ballerina.
And in the ooze and the air, everywhere bacteria
re-coding the dead in cells, sugars, ammonia.
The air is full of machines: fluff and dust and fungi
spores in my nose, and hair; and here, the ruined tree
with six, no seven ibis perched as dog and I near.
Proximity alarm, off they fly honking unhappily.
Tin flies fuck on my forearm, coiled DNA buzzed fly-to-fly.
The ancient paperbark braces the 50-foot sky;
on each branch a cormorant, gaunt black ornament.
The lawn, a million blades increase ceaseless cellulose.
Now the Sun from grey, great engine of all and the new day.
Image: Angeleses c/- Pixabay; A morning stroll on a foggy morning.
And for those of you on the road this season, here’s Kraftwerk from 1974 (watch out for that truck).
All that flowing imagery! The reeds are reading
wind-borne frequencies… and … on each branch a cormorant, gaunt black ornament – came to life!
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It’s pretty busy down at this little urban lagoon. Thanks so much for all your support this year – and best wishes for 2019.
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I am hearing “This is Austraalia.” Real and biochemical, filled with wet and dry life, I am so allergic to almost everything, with asthma forever, that this glorious piece is actually making me cough, and you should judge that as a marvellous success. Wishing you all the best for the festive season and 2019, Peter.
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Thanks Steve, and a wildly creative 2019 to you too.
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Love the assonances, alliterations and rhymes in this one too:
tocks and bocks, little clocks; a larger one maybe a fox (!)
on the rocks by the reeds. The reeds are reading…
fluff and dust and fungi
Tin flies fuck on my forearm,
on each branch a cormorant, gaunt black ornament.
increase ceaseless cellulose.
witty end-rhymes: ballerina, bacteria, ammonia
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Oh, and given title, guessing you maybe have a part-German background too, like me?
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Thanks Peter, yep my Mum was. The title has that wonderful Germanic purposefulness – that I couldn’t quite find in English. (it’s also the title of my least favourite track on Kraftwerk’s Autobahn 😀)
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This natural autobahn is a thousand on- and off-ramps in whirling green techno. Whew. I was more Another Green World than Autobahn in the 70s, but the dance is vibrantly similar..
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Thanks Brendan, glad you liked it. (Am listening again to Eno as I type :-))
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