
It’s invasion day here in Australia (aka Australia Day). A date when we remember the establishment of the first British colony on mainland Australia (1788) and the beginning of the widespread displacement and destruction of the local residents, one of the oldest human cultures on earth. Even as recently as October last year, the majority of electors decided at a referendum not to recognise Aboriginal and Torres Strait Islanders in Australia’s constitution.
A few favourites from this week, starting with a bi-seasonal poem for all you winter readers by local poet Mark Tredinnick. Mark is a celebrated poet, essayist, and teacher. His most recent collection of poems (his fourth) is Walking Underwater (June 2021). His many other works of poetry and prose include A Gathered Distance, Almost Everything I Know, Egret in a Ploughed Field, Bluewren Cantos, Fire Diary, The Blue Plateau, and The Little Red Writing Book. I came across this lovely piece of his to share.

A big shout-out to Bangalore poet Rajani Radhakrishnan – who’s poetry podcast ‘Poetry and Stuff‘ features readings of poetry from Emily Dickinson, Jisei and a wonderful piece from recently deceased Palestinian poet and academic Refaat Alareer. Poetry and Stuff is up to ep. 13, so there’s riches for you to enjoy.
Finally, this poem, Elegy by US poet and teacher Daisy Fried made me smile, even though it’s an elegy and reminded me of getting my own ear lobe pierced (at a chemist). Lovely detail in the writing and great humour – even though it’s an elegy.
Image: A single male Hooded Merganser, at Summer Lake in Tigard Oregon, c/- Richard Griffin on Flickr
For music this morning: I’m in two minds about this one, so let me know what you think – here’s eclectic folk duo Woo with their 2014 album Into the Into the Heart of Love (Youtube) (maybe start with Make me Tea)
Bandcamp describes them as…”Oddly dubby, mesmeric, insular, playful, undefinable, instantly recognisable, warm, romantic, optimistic, ethereal, timeless, pop music for another universe, time-locked into the spirit of ’67, witty yet quintessentially British, futuristic elevator muzak.”



